Alle Mims is a queer, genderfluid, Black, biracial theatre artist living in NYC. They are a cultural archeologist and political satirist who writes about Black, Queer, and Radical History.  

Mims earned their BA in Drama from Texas Woman’s University (’16) and MFA in Playwriting from Columbia University (’23) under the instruction of Lynn Nottage and David Henry Hwang. While at Columbia, they also studied early 20^th century Black Radical history.

Mims is a current Critical Breaks Artist with Hi-ARTS (‘24/’25). They were recently a part of Clubbed Thumb’s Early Career Writers Group (‘23/24) and a semifinalist for the O’Neil as well as the Frank Moffet Fellowship in Elevated Language (’24). Mims was a finalist for the Van Lier New Voices Fellowship and Ars Nova’s Play Group (’23) and a semifinalist for Alter Theatre’s Decolonization Stories and Queercat Production’s Black Trans Artist Offering (’22). Mims’ full length audio drama, “Pink,” was a finalist for the Columbia@Roundabout New Play Reading (’21).

Mims currently works as a researcher for the August Wilson Society. They have been commissioned by theGrio (“Harlem and Moscow,” audio drama), Bishop Arts Theatre (The How To Be Antiracist Project), and Imprint Theatreworks (“The Tree: An American Musical”).